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November
2008 update,
Welcome to the Sea of Pain Fine Art Productions website.
-I am currently designing an entire pack of playing cards. It is proving
to be a monumental job, and has crossed the border into obsession to
the exclusion of all else out of sheer necessity to have any chance
of a completion date. I'm very pleased with the results so far, watch
this space for previews hopefully sometime around the end of 2008. They
will be worth the wait.
Thank you for your continuing support, the website receives a lot of
hits from all over the world. Once the cards are in production, I will
be back into the graphite, and trying my hand at pastels after attending
the USQ Mcgregor winter school in June. In the meantime, here are a
couple of graphite drawings I managed to complete this year before the
playing cards set in,
Brett
A. Jones

Brett
A. Jones was born in 1966 in Redcliffe, Queensland. His family lived
in the western outskirts of Brisbane until 1976. A move to the Gold
Coast saw him attend art classes with Mr. Scott-Vandyke for a few years
learning drawing and oil painting. During the next few years (while
still at school) he painted and sold dozens of oil paintings, mostly
in duo-tone and sometimes involving diptychs and triptychs of Australian
landscape scenes. His inspiration in those days was Hans Heysen. He
left school after grade 10 and completed the first year of a boilermaking
apprenticeship in a shipyard on the Brisbane River before switching
to a fitting and turning apprenticeship in the Brisbane City Council
which he completed with honours in 1986. After working for an oil exploration
company in western Queensland, he moved to Cairns and worked at Trinity
Wharf, for a goldmine west of Georgetown, for the Far North Queensland
Electricity Board, and for a large engine rebuilding company, while
still developing his artistic skills at every opportunity.
He moved to Hervey Bay in 1991 and worked for various engineering firms
until an accident at work. He broke his left wrist and permanently injured
his spine. There followed a few very hard years during which he turned
fully back to his artistic roots. The intense personal drive to be an
artist sent him searching for a way to achieve in the fine art world,
within the limitations imposed on him by chronic severe pain (hurt to
move, hurt to breathe).
He experimented with various mediums including wood, steel, aluminium,
brass, spray-painting, leather, house enamel & pure tint, coloured
pencil, watercolour and oil paint. He hand carved motorcycle parts,
did custom paint jobs, hand made throwing knives from old car springs
(which are things of great beauty and really just another form of artistic
expression), painted a large mural which took two and a half years to
finish and was started with a broken wrist, and set up a studio and
tried to seriously re-engage with his oil painting past with a view
to painting and selling originals. It took four months of pain to paint
the first one (Canesmoke Sunset), which almost made him give up art
for good.
"I
sat like Rodins' Thinker for about three hours one day until finally
realizing if I was going to give up producing originals for sale because
of pain I might as well just do what I really wanted to and admitted
to myself I'd really rather draw in monochrome than paint, pick the
subject matter on a purely personal level, and not limit myself with
time constraints and others expectations of what fine art is. It dawned
on me after awhile (When I started winning art shows) that it didnt
matter how long it took me to prepare for and complete a work if the
results were good enough to be published as fine art prints".
He subsequently
spent the next few years doing a series of works in graphite, each one
taking many hundreds of pain filled hours to complete. Four of these
prize winning works are now in print, with more to come.
"I
always wanted to fully explore the concept of Chiaroscuro, to make people
really believe there was a motorcycle, or bowl of fruit or whatever
in front of them, using only the effects of light. For me 2B graphite
lends itself to this perfectly as it represents all the grey tones from
so close to white, that it is white unless compared to actual white,
to black and every tone in between. White is the blank paper, but to
the minds eye can be made to look like anything if its surroundings
are the right shape and tone. My art teacher Mr. Scott-Vandyke told
me when I was ten that if I wanted to draw properly, to draw the shadows
and let the highlights take care of themselves. He impressed that on
me all the time. I can hear him saying it like it was yesterday, instead
of thirty years ago.
The fact that I draw motorcycles on a white background is completely
secondary to the fact that I am trying to produce fine art of the very
highest order, which can be put up against anything here or overseas.
The reason they're pictures of motorcycles is because I had to find
a subject I could become so obsessed with, that it would override the
ever present back pain (the physical sea of pain). Motorcycles have
always held a deep fascination for me. A stationary motorcycle is a
beautiful combination of balance, latent speed, power, and danger, and
a symbol of so many things, including freedom. At the same time they
provide a number of different materials, surfaces, shapes, and textures
to allow me to fully explore the parameters I have decided on. I always
place them in full sunlight, this being the light which produces the
most intense reflections, back lighting, and deep shadows that result
in the multiple light effects and three dimensional depth ideal for
showcasing my chosen drawing technique (chiaroscuro). It's called Sea
of Pain Fine Art Productions not just because of the maddening struggle
with the spinal pain. When something takes up to nine months from start
to finish with that kind of focus, it hurts your brain a long time before
you're finished (the mental sea of pain)."
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1st prize in under 11 section
....Gold
Coast Show................
.....1977
Highly Commended in junior section
....Nerang
Festival of Arts.............
..1978
1st prize in the monochrome drawing section
Fraser
Coast Show................
2004
3rd prize in the drawing section
..Royal
Queensland Show...............
.2004
The Neumann Family Award (best in show)
.
.Springfest
Art & Craft Festival...........
2004
1st prize in the drawing section
....Goldrush
Art Exhibition..............
2004
1st prize in the drawing section
......Gwydir
Art Show...........
.
...2004
1st prize in the drawing section
...........Goondiwindi
Art Show.....
...2005
1st prize in the photography section (novice)
...Fraser Coast Show..........
....2005
1st prize in the monochrome drawing section
..Fraser Coast
Show...........
...
2005
Grand Champion of the fine art exhibit
..Fraser
Coast Show................
2005
S.C.O.P.E. Award for Excellence
..........Sarina
Art Show..........
.2005
1st prize in the drawing section
.............Nanango
Art Show.....
.
2005
2nd prize in the drawing section
............Royal
Queensland Show...
.....2005
Highly Commended in the drawing section
......Springfest
Art & craft Show....
..
...2005
Commended Overall
.............Ryde
Art Exhibition...........
.
2005
1st prize in the drawing section
............Goldrush
Art Exhibition.....
.
2005
Highly Commended in the drawing section
.....Gwydir Art Show...........
...2005
Highly Commended Overall
.....................Rotary
Club of Sorrento Annual Art Show....2006
Best Any Other Medium
.............Ballan
Art Show..........
.
...2006
1st prize in the drawing section
...........Goondiwindi
Art Show.....
..
...2006
1st prize in the monochrome drawing section
...Fraser Coast Show...........
..2006
1st prize in the drawing section
.........Maryborough
Heritage City Art Festival...
2006
1st prize in the drawing section
.......Gold
Coast Show............
..
2006
1st prize in monochrome drawing section
..............Fraser
Coast Show
.................2007
Grand Champion of the fine art exhibit
..................Fraser
Coast Show
...............
2007
2nd prize in the hand carved section
...............Fraser
Coast Show
...............
2007
1st prize in the hand carved section
................Royal
Queensland Show
.............2007
1st prize in the sculpture section
..................Gold
Coast Show
..................2007
1st prize in the drawing section
......................Ernest
Henry Memorial Art Show.........2007
H.C. in the sculpture section
.....................Springfest
Art & Craft Festival
..........2007
1st prize in the drawing section
....................Springfest
Art & Craft Festival
.........2007
The Neumann Family Award (Best in Show)................Springfest Art
& Craft Festival...........2007
1st prize in the monochrome drawing section...............Fraser Coast
Show......................2008
1st prize in the drawing section.........................Maryborough
Heritage City Art Festival....2008
1st prize in the drawing section.........................Royal Queensland
Show........................2008
-1st prize in the drawing section..........................Gold Coast
Show................................2008
-Overall Best Exhibit...........................................Gold
Coast Show.................................2008
-3rd prize in the drawing section.....................Ernest Henry Memorial
Art Show..................2008
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Making
decisions and setting parameters before starting a work is very important
to me. Inspiration is one thing but you have to set up the picture before
you even start on it by deciding on things. This might sound a bit simple,
but some of the most important things in life are.
In this
case I wanted to draw something in monochrome which would be the best
thing I could possibly do, plus some. This means for one thing, the
time it takes from start to finish must be unlimited. You can't
plan on doing the best thing you've ever done in your life, but give
yourself a deadline of only a week or a month.
Consequently
each of these drawings have taken hundreds and hundreds of hours over
many months to complete. You have to decide on a scale of detail. I
decided to draw absolutely everything, it nearly drives me mad sometimes,
but I've noticed the most frustrating bits of a drawing (the bits that
make you angry, and sick in the stomach until you get it right, sometimes
weekslater) are the ones that make it a masterpiece inste ad
of just a good drawing. For example there's no point in taking six months
to draw the engine, but three days to draw the front wheel just because
you're sick of doing it and want the whole drawing to be finished. I
can draw a motorbike in two minutes that will look ok, but it won't
look like the drawings in these prints.
Different
decisions were made in the start and stuck to.
It's
the same with perspective and proportions. I've only ever drawn freehand,
all my life, because I believe that fine art, by definition, must be
freehand (no tracing, gridding, measuring, or projecting whatsoever).
You have to have beliefs before you can make decisions and you have
to make decisions to do something the best you can.
Then
there's quality, which far from being an intangible is really just one
more parameter you have to set. I decided from the start to really push
my own boundaries, the whole time, and not set a ceilingon how well
a certain subject had to be drawn to be good enough. When I decided
to live in that zone, I realized it is the mental side to the sea of
pain.
Sometimes
I rub things out twenty times or more, or spend two days detailing a
small part of the picture, only to rub the whole section out because
things are slightly wrong, even when I know I might be the only one
that ever knows or notices.
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Drawing
classes by Brett A. Jones available at the Sea of Pain Fine Art Production
Studio in Hervey Bay, QLD. Classes are held every Saturday and Sunday.
Morning sessions: 9:00am - 12:00pm, afternoon sessions: 1:00pm - 4:00pm,
cost is $25 per 3hr session.
if you wish to enquire, please ring (07) 41 287 682 or email art@seaofpain.com
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Exhibition
grade framing is available to customers within Australia. All framing
is done to exacting standards by Alan from Out of the Square Picture
Framing, Main St. Pialba, QLD.

All Sea of Pain Fine Art Productions prints are framed using 30mm black
timber moulding, reflective glass (non-reflective glass obscures fine
detail), top quality acid-free matte board surround, acid-free core
board backing, metal Drings, and sash cord.
Your framed print will be securely packed in polystyrene and triple-ply
cardboard and will be posted or couriered (depending on size of order
and location) to your front door.
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Brett A. Jones multi-award winning original freehand work.
Please e-mail brett@seaofpain.com
for payment and delivery enquiries
 
Vee-Three, original freehand graphite drawing by
Brett A. Jones
Unframed- 7x 5 (175mm x 130mm)
Framed- 11x 9 (280mm x 230mm)
(Framed)
comes with hand written letter of authenticity
$
200 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Pewter Shot Cup in the Sun, original freehand graphite
drawing by Brett A. Jones
Unframed- 15x 7.5 (375mm x 185mm)
Framed- 19x 11 (425mm x 282mm)
(Framed)
comes with hand written letter of authenticity
$
500 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Canesmoke Sunset, original oil painting by Brett
A. Jones
Unframed- 14x 10 (350mm x 250mm)
Framed- 17.5x 13.5 (440mm x 340mm)
(Framed) comes with hand written letter of authenticity
$
1000 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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The Start of Bernies Worst Nightmare, original
freehand coloured pencil drawing,
by Brett A. Jones
Unframed- 15x 7.5 (380mm x 185mm)
Framed- 19x 11.5 (485mm x 292mm)
(Framed)
comes with hand written letter of authenticity
$
750 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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E-type Jag, original freehand graphite drawing by
Brett A. Jones,
Unframed- 15x 10 (380mm x 250mm)
Framed- 23x 15.5 (520mm x 390mm)
(Framed) comes with hand written letter of authenticity
$
2800 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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DKW Racebike, original freehand graphite drawing
by Brett A. Jones
Unframed- 12.5x 12.5 (315mm x 315mm)
Framed- 18x 18 (455mm x 455mm)
(Framed) comes with hand written letter of authenticity
$
4500 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Sleeping Nude No.1, original freehand graphite sketch
by Brett A. Jones
Unframed- 7x 5 (570mm x 300mm)
Framed- 11x 9 (686mm x 405mm)
(Framed) comes with hand written letter of authenticity
$
400 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Happiness is Italian Pushrods, original freehand
graphite drawing by Brett A. Jones
Unframed- 19.5x 13.5 (492mm x 340mm)
Framed- 27x 21 (685mm x 530mm)
(Framed)
comes with hand written letter of authenticity
$
12200 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Chief of the Open Road, original freehand graphite
drawing by Brett A. Jones
Unframed- 19x 14 (490mm x 350mm)
Framed- 26x 21 (660mm x 530mm)
(Framed) comes with hand written letter of authenticity
$
9000 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Sunshine on a Cloudy Day, original freehand graphite
drawing by Brett A. Jones
Unframed- 22.5x 15 (570mm x 380mm)
Framed- 31x 24.5 (780mm x 620mm)
(Framed) comes with hand written letter of authenticity
$
13500 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Clockwork Orange, original freehand graphite drawing
by Brett A. Jones
Unframed- 23x 15 (590mm x 385mm)
Framed- 31x 23 (780mm x 590mm)
(Framed)
comes with hand written letter of authenticity
$
17200 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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If
you love fine art and motorcycles, these prints are for you. People
regularly study them for over an hour in galleries etc and then weeks
after purchasing them, say theyre still finding things they hadnt
noticed before (detail goes down to screw head slots, wires, dirt on
spokes etc). They are not 2D illustrations, but freehand drawings of
what ridden motorcycles actually look like sitting in the sun. These
investment quality prints are A2 (597 x 420mm) and feature the multi-award
winning pencil art of Brett A. Jones (these four drawings have won awards
in over 25 art shows). They are printed on 300gsm dull silk white Parilux
paper using the very latest F.M. screening process, which means the
image is not made up of a series of dots but randomly placed shapes,
so no matter how closely you inspect the print, even through a magnifying
glass, no dots will appear. This greatly helps preserve fine detail
in dark areas of the print as there are no dots to bleed into each other.
The
ink used is U.V. proof and lightfast, and being a 4-colour offset process
creates a perfect copy of the tones, depths and details of the originals.
The paper
is A1+ quality rated, with international standards for permanence and
an archival life of 300+ years. It is regarded as one of the very finest
coated papers available, perfectly suited for limited edition fine art
prints.
Each numbered
print comes with a signed certificate of authenticity, it's own 240gsm
varnished storage envelope, and are securely packaged in specially made
triple ply cardboard packing, which can be safely posted anywhere
in the world.
Edition
Limited Edition - 800
Artists Proof - 50 (E-mail for price and delivery details)
Dimensions - A2 (594mm x 420mm)
Price -
Unframed $79.95
each
(inc postage)
Framed $229.95
each
(inc postage)

Special
Offer for limited time, set of four limited edition prints with certificates
and matching numbers for $200 including postage. For payment details
or enquiries, please e-mail on art@seaofpain.com, or ring (07) 41 287
682
"Happiness
is Italian Pushrods"

click thumbnails
for more detail
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"Happiness
is Italian Pushrods", numbered and signed limited edition
print (unframed)..............$64.95 AUD
Postage and packaging (within Australia)..............$ 15.00
AUD
Total..............$79.95. AUD
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"Happiness
is Italian Pushrods", numbered and signed limited edition
print (framed)..................$199.95 AUD
Freight and packaging (within Australia)..................$ 30.00
AUD
Total..................$229.95 AUD
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"Happiness
is Italian Pushrods", numbered and signed limited edition
print (unframed)...............$64.95 AUD
Postage and packaging (outside Australia)...............$ 30.00
AUD
Total...............$94.95 AUD
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*See How
to Order for more details
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"Chief
of the Open Road"


click thumbnails for more detail
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"Chief
of the Open Road",
numbered
and signed limited edition print (unframed)..............$64.95
AUD
Postage and packaging (within Australia)..............$ 15.00
AUD
Total..............$79.95. AUD
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"Chief
of the Open Road",
numbered and signed limited edition print (framed)..................$199.95
AUD
Freight and packaging (within Australia)..................$ 30.00
AUD
Total..................$229.95 AUD
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"Chief
of the Open Road",
numbered and signed limited edition print (unframed)...............$64.95
AUD
Postage and packaging (outside Australia)...............$ 30.00
AUD
Total...............$94.95 AUD
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*See How
to Order for more details
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"Sunshine
on a Cloudy Day"


click thumbnails for more detail
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"Sunshine
on a Cloudy Day", numbered and signed limited edition print
(unframed)..............$64.95 AUD
Postage and packaging (within Australia)..............$ 15.00
AUD
Total..............$79.95. AUD
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"Sunshine
on a Cloudy Day", numbered and signed limited edition print
(framed)..................$199.95 AUD
Freight and packaging (within Australia)..................$ 30.00
AUD
Total..................$229.95 AUD
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"Sunshine
on a Cloudy Day", numbered and signed limited edition print
(unframed)...............$64.95 AUD
Postage and packaging (outside Australia)...............$ 30.00
AUD
Total...............$94.95 AUD
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*See How
to Order for more details
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"Clockwork
Orange"


click thumbnails for more detail
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"Clockwork
Orange", numbered and signed limited edition print (unframed)..............$64.95
AUD
Postage and packaging (within Australia)..............$ 15.00
AUD
Total..............$79.95. AUD
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"Clockwork
Orange", numbered and signed limited edition print (framed)..................$199.95
AUD
Freight and packaging (within Australia)..................$ 30.00
AUD
Total..................$229.95 AUD
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"Clockwork
Orange", numbered and signed limited edition print (unframed)...............$64.95
AUD
Postage and packaging (outside Australia)...............$ 30.00
AUD
Total...............$94.95 AUD
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*See How
to Order for more details

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These
open edition prints of Brett A. Jones artwork have been professionally
printed on high quality paper and come hand signed by the artist. They
can be purchased professionally framed, or unframed. Prints are securely
packaged in specially made triple ply cardboard packing.
Unframed prints can be sent anywhere in the world.
Framed prints can be sent anywhere in Australia
Unframed open edition prints come matted and backed with acid-free materials
and are wrapped in heat-shrink plastic for protection. They are ready
for framing. Unframed prints come securely packaged in cardboard and
are posted to your door.
The purchase price includes postage and packing.



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Andrew
on his Sunbeam, hand signed open edition print-14x
11 (365mm x 280mm)
(Unframed) comes matted and backed ready for framing or display......$
50 AUD
Postage and packaging (within Australia)
...$
12 AUD
TOTAL
...$ 62 AUD
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Andrew
on his Sunbeam, hand signed open edition print-18x
15(453mm x 380mm)
(Framed)
...$100
AUD
Freight and packaging (within Australia)
.
$ 20 AUD
TOTAL
$120 AUD
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Andrew
on his Sunbeam, hand signed open edition print- 14x
11(365mm x 280mm)
(Unframed) comes matted and backed ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
$
25 AUD
TOTAL
.$ 75 AUD
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*See How
to Order for more details
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E-type Jag, hand signed open edition print- 15x
10(381mm x 254mm)
(Unframed)
comes matted and backed ready for framing or display
. $
50 AUD
Postage and packaging (within Australia)
.
$ 12 AUD
TOTAL
...$ 62 AUD
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E-type
Jag, hand signed open edition print- 19x 13
(483mm x 323mm)
(Framed)
.$100
AUD
Freight and packaging (within Australia)
.
$ 20 AUD
TOTAL
.$120 AUD
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E-type Jag, hand signed open edition print- 15x
10(381mm x 254mm)
(Unframed)
comes matted and backed, ready for framing or display
$ 50
AUD
Postage and packaging (outside Australia)
...$
25 AUD
TOTAL
$ 75 AUD
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*See How
to Order for more details
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DKW Racebike, hand signed open edition print- 14x
11(365mm x 280mm)
(Unframed)
comes matted and backed, ready for framing or display
$ 50
AUD
Postage and packaging (within Australia)
$
12 AUD
TOTAL
$ 62 AUD
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DKW
Racebike, hand signed open edition print- 18x 15(453mm
x 380mm)
(Framed)
.
$ 100 AUD
Freight and packaging (within Australia)
.
$ 20 AUD
TOTAL
$ 120 AUD
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DKW
Racebike, hand signed open edition print- 14x 11(365mm
x 280mm)
(Unframed)
comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
.$
25 AUD
TOTAL
.$ 75 AUD
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*See How
to Order for more details
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Cranked
Over, hand signed open edition print- 15x 10
(381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (within Australia)
...$
12 AUD
TOTAL
$ 62 AUD
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Cranked
Over, hand signed open edition print- 19x 13
(483mm x 323mm)
(Framed)
.$100
AUD
Freight and packaging (within Australia)
$
20 AUD
TOTAL
$120 AUD
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Cranked
Over, hand signed open edition print- 15x 10
(381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display...$
50 AUD
Postage and packaging (outside Australia)
.$
25 AUD
TOTAL
..$ 75 AUD
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*See How
to Order for more details
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Feathering
the Throttle, hand signed open edition print- 15x
10 ( 381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (within Australia)
$
12 AUD
TOTAL
...$ 62 AUD
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Feathering
the Throttle, hand signed open edition print- 19x
13 (483mm x 323mm)
(Framed)
$100
AUD
Freight and packaging (within Australia)
.$
20 AUD
TOTAL
.$120 AUD
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Feathering the Throttle, hand signed open edition
print- 15x 10 (381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
.$
25 AUD
TOTAL
$ 75 AUD
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*See How
to Order for more details
 |

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Café Racer, hand signed open edition print-
14x 11(365mm x 280mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
$
25 AUD
TOTAL
$ 75 AUD
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Café
Racer, hand signed open edition print- 18x 15(453mm
x 380mm)
(Framed)
..$100
AUD
Freight and packaging (within Australia)
$
20 AUD
TOTAL
$120 AUD
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|
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Café
Racer, hand signed open edition print- 14x 11
(365mm x 280mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
...$
25 AUD
TOTAL
.$ 75 AUD
|
|
|
|
|
|
*See How
to Order for more details
 |

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|
Shattering
the Still, hand signed open edition print-14x 11(365mm
x 280mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
$
12 AUD
TOTAL
.$ 62 AUD
|
|
|
|
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Shattering
the Still, hand signed open edition print- 18x 15(453mm
x 380mm)
(Framed)
.
$100 AUD
Freight and packaging (within Australia)
...$
20 AUD
TOTAL
$120 AUD
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Shattering | |