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Mar
2010 update
........just found out Whiteknuckle New Standard playing cards has
won deck of the month in the Netherlands. Check out the decks first
critical review at,
http://www.dxpo-playingcards.com/xpo/deck-month/pages/deck-month.htm
Feb 2010 Update
................and
we're away. Whiteknuckle New Standard playing cards are finally here
in Australia and available for sale. Click here
if you want to buy a deck/decks.
There will be signed A4 and A3 prints of the card designs available
soon.
There will also
be high quality authentic Whiteknuckle leather card cases available,
each one hand made by the King of Spades himself, who is a leatherwork
adept.
e-mail brett@seaofpain.com
to enquire
The entire Sea of Pain site is going to be pulled apart and put back
together after the big exhibition in April/May in Maryborough, with
some Brett A. Jones framed pastel originals up on the site for sale
for the first time (unless they all sell at the exhibition). I'm trying
to work my way back to the graphite studio but the pastels are a lot
of fun.
In the meantime grab a couple of decks of these first edition Whiteknuckle
New Standards while you can as there are only a very limited amount
and they are already going very fast, there will probably be one more
update before the exhibition to remind you all it's the 24th of April
in Maryborough, all the best to all who have been watching my progress
on these cards for the last couple of years. I'm finally finished, who'd
have thought?
Brett A. Jones

Nov 2009 Update
The Whiteknuckle
playing card designs are finished. They are currently being manufactured
in the U.S. and will be available for sale early in 2010. Wow, what
a mind blowing journey across the tundra that was. I'll write all about
it later, in fact there will be some fairly major changes to the Sea
of Pain website in 2010, but for now I'm happy to just get some of the
finished designs up to show you.
I'll be having my second solo exhibition using all the playing card
material in the form of the entire deck framed individually in A4 size
and all hung on the gallery wall together as a complete design. It will
be held at the Maryborough Art Gallery in April 2010 in my art societies
excellent new home in the foyer of the Old Wintergarden theatre on Kent
St. Maryborough. This venue is perfect to show off the entire deck to
it's best advantage and will be a very big night. All are welcome. Further
details will be posted in the exhibitions and displays section as they
become known.
An article about the cards will be published in "Artists Palette"
magazine around March, 2010.
If you
would like to pre-order a deck of Whiteknuckle New Standard playing
cards please email me, www.whiteknucklecards.com/contact
and leave your details and you will be guaranteed a deck when they become
available early 2010. The decks will be of the highest quality, poker
sized, printed by U.S.P.C.C. in Ohio.
Price per deck will be $12 AUD including postage and handling anywhere
in Australia. Overseas and multiple orders most welcome, postage to
be calculated. Please don't send money or cheques, just contact details(preferably
e-mail) you will be contacted with payment details as soon as the cards
become available. There will only be 10 000 decks in the first print
run, and are bound to be instant collectors items judging by the absolutely
overwhelming reaction so far and the hundreds and hundreds of orders
already received so far from Australia, England, Germany, and France
just from word of mouth. This update is the first online showing of
any Whiteknuckle New Standard playing card designs anywhere, so if you
would like a pack from the first edition, get in quick, first in best
dressed (contact details won't be divulged to any outside mailing lists,
to be used solely for the reasons described).
Signed
A4 card designs on 260gsm glossy photo paper are also available framed
and unframed (would look great on games room wall), please e-mail brett@seaofpain.com
for details or enquiries.
Workshops
and Awards sections also been updated.
O.K. here's a taste of 5000+ hours of effort, hope you like them. Thank
you for being so patient and continuing to support the Sea of Pain website,
it's much appreciated,
Brett A. Jones
    
    
    
    
    
JUNE
2009 UPDATE
This
update is very overdue, due to the ongoing obsession over the playing
cards I am designing. I know I said there would be some previews months
ago, but I am keeping the designs close to my chest until Aug-Sept,
when they will be close to being launched into an unsuspecting world
as the new standard in playing cards.
WATCH THIS SPACE.
I will be conducting a 2-day workshop in Kenilworth (inland from Nambour
over the Blackbutt Range, Qld) at the end of Sept, "Secrets of
Freehand Drawing". Please see the 'Drawing Classes and Workshops'
section for further details.
I am involved in a group exhibition with my two star pupils, Pam Price
and Jacob Ditchmen. They have been coming to my classes for over a year
and have both improved hand over fist. The exhibition opens on the 8th
June, 2009 at 5.30 p.m. at the Old Warehouse Gallery, Kent St. Maryborough
and runs for 2 weeks. Gallery hours are 10 a.m. to 4 p.m. The display
will encompass a wide range of mediums and subjects. Please ring me
on (07) 41287682, or gallery director Ann Bowden on (07) 41231614 for
further details.
'Art Show Awards' section has also been updated.
The next update should be around Aug- Sept and will definitly include
some of the Whiteknuckle card designs. In the meantime, please check
out the Whiteknuckle cards website at www.whiteknucklecards.com
.
Also check out the updated links section and have a look at the Maryborough
Art Society website (of which I am a member). The society is attracting
new members all the time with it's progressive and freindly atmosphere
and will shortly be moving to better premises, so if you are interested
in joining please ring Ann Bowden (Gallery Director) on (07)41 231614
or Margaret Johnston (Society Stalwart) on 41 234577. All are welcome.
Thank you for visiting the Seaofpain website, your traffic is very much
appreciated,
Brett A. Jones
November 2008 update,
Welcome to the Sea of Pain Fine Art Productions website.
-I am currently designing an entire pack of playing cards. It is proving
to be a monumental job, and has crossed the border into obsession to
the exclusion of all else out of sheer necessity to have any chance
of a completion date. I'm very pleased with the results so far, watch
this space for previews hopefully sometime around the end of 2008. They
will be worth the wait.
Thank you for your continuing support, the website receives a lot of
hits from all over the world. Once the cards are in production, I will
be back into the graphite, and trying my hand at pastels after attending
the USQ Mcgregor winter school in June. In the meantime, here are a
couple of graphite drawings I managed to complete this year before the
playing cards set in,
Brett
A. Jones



Revolutionary
and evolutionary playing card design by Brett A. Jones.
Actual playing cards manufactured to the highest standards by the United
States Playing Card Company in Ohio and published in Sydney, Australia
by Whiteknuckle
Cards.
Once purchased, your cards will be securely packed and posted to the
address provided. Please feel free to e-mail the Sea of Pain studios
on brett@seaofpain.com if you
have any questions. If you have purchased cards, thank you very much
for supporting an independent fine artist,
Brett
A. Jones
If
you don't have access to paypal, please email brett@seaofpain.com
to place an order and arrange payment (Cheque, Money Order, Direct Deposit,
etc)


Brett
A. Jones was born in 1966 in Redcliffe, Queensland. His family lived
in the western outskirts of Brisbane until 1976. A move to the Gold
Coast saw him attend art classes with Mr. Scott-Vandyke for a few years
learning drawing and oil painting. During the next few years (while
still at school) he painted and sold dozens of oil paintings, mostly
in duo-tone and sometimes involving diptychs and triptychs of Australian
landscape scenes. His inspiration in those days was Hans Heysen. He
left school after grade 10 and completed the first year of a boilermaking
apprenticeship in a shipyard on the Brisbane River before switching
to a fitting and turning apprenticeship in the Brisbane City Council
which he completed with honours in 1986. After working for an oil exploration
company in western Queensland, he moved to Cairns and worked at Trinity
Wharf, for a goldmine west of Georgetown, for the Far North Queensland
Electricity Board, and for a large engine rebuilding company, while
still developing his artistic skills at every opportunity.
He moved to Hervey Bay in 1991 and worked for various engineering firms
until an accident at work. He broke his left wrist and permanently injured
his spine. There followed a few very hard years during which he turned
fully back to his artistic roots. The intense personal drive to be an
artist sent him searching for a way to achieve in the fine art world,
within the limitations imposed on him by chronic severe pain (hurt to
move, hurt to breathe).
He experimented with various mediums including wood, steel, aluminium,
brass, spray-painting, leather, house enamel & pure tint, coloured
pencil, watercolour and oil paint. He hand carved motorcycle parts,
did custom paint jobs, hand made throwing knives from old car springs
(which are things of great beauty and really just another form of artistic
expression), painted a large mural which took two and a half years to
finish and was started with a broken wrist, and set up a studio and
tried to seriously re-engage with his oil painting past with a view
to painting and selling originals. It took four months of pain to paint
the first one (Canesmoke Sunset), which almost made him give up art
for good.
"I
sat like Rodins' Thinker for about three hours one day until finally
realizing if I was going to give up producing originals for sale because
of pain I might as well just do what I really wanted to and admitted
to myself I'd really rather draw in monochrome than paint, pick the
subject matter on a purely personal level, and not limit myself with
time constraints and others expectations of what fine art is. It dawned
on me after awhile (When I started winning art shows) that it didnt
matter how long it took me to prepare for and complete a work if the
results were good enough to be published as fine art prints".
He subsequently
spent the next few years doing a series of works in graphite, each one
taking many hundreds of pain filled hours to complete. Four of these
prize winning works are now in print, with more to come.
"I
always wanted to fully explore the concept of Chiaroscuro, to make people
really believe there was a motorcycle, or bowl of fruit or whatever
in front of them, using only the effects of light. For me 2B graphite
lends itself to this perfectly as it represents all the grey tones from
so close to white, that it is white unless compared to actual white,
to black and every tone in between. White is the blank paper, but to
the minds eye can be made to look like anything if its surroundings
are the right shape and tone. My art teacher Mr. Scott-Vandyke told
me when I was ten that if I wanted to draw properly, to draw the shadows
and let the highlights take care of themselves. He impressed that on
me all the time. I can hear him saying it like it was yesterday, instead
of thirty years ago.
The fact that I draw motorcycles on a white background is completely
secondary to the fact that I am trying to produce fine art of the very
highest order, which can be put up against anything here or overseas.
The reason they're pictures of motorcycles is because I had to find
a subject I could become so obsessed with, that it would override the
ever present back pain (the physical sea of pain). Motorcycles have
always held a deep fascination for me. A stationary motorcycle is a
beautiful combination of balance, latent speed, power, and danger, and
a symbol of so many things, including freedom. At the same time they
provide a number of different materials, surfaces, shapes, and textures
to allow me to fully explore the parameters I have decided on. I always
place them in full sunlight, this being the light which produces the
most intense reflections, back lighting, and deep shadows that result
in the multiple light effects and three dimensional depth ideal for
showcasing my chosen drawing technique (chiaroscuro). It's called Sea
of Pain Fine Art Productions not just because of the maddening struggle
with the spinal pain. When something takes up to nine months from start
to finish with that kind of focus, it hurts your brain a long time before
you're finished (the mental sea of pain)."
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1st prize in under 11 section
....Gold
Coast Show................
.....1977
Highly Commended in junior section
....Nerang
Festival of Arts.............
..1978
1st prize in the monochrome drawing section
Fraser
Coast Show................
2004
3rd prize in the drawing section
..Royal
Queensland Show...............
.2004
The Neumann Family Award (best in show)
.
.Springfest
Art & Craft Festival...........
2004
1st prize in the drawing section
....Goldrush
Art Exhibition..............
2004
1st prize in the drawing section
......Gwydir
Art Show...........
.
...2004
1st prize in the drawing section
...........Goondiwindi
Art Show.....
...2005
1st prize in the photography section (novice)
...Fraser Coast Show..........
....2005
1st prize in the monochrome drawing section
..Fraser Coast
Show...........
...
2005
Grand Champion of the fine art exhibit
..Fraser
Coast Show................
2005
S.C.O.P.E. Award for Excellence
..........Sarina
Art Show..........
.2005
1st prize in the drawing section
.............Nanango
Art Show.....
.
2005
2nd prize in the drawing section
............Royal
Queensland Show...
.....2005
Highly Commended in the drawing section
......Springfest
Art & craft Show....
..
...2005
Commended Overall
.............Ryde
Art Exhibition...........
.
2005
1st prize in the drawing section
............Goldrush
Art Exhibition.....
.
2005
Highly Commended in the drawing section
.....Gwydir Art Show...........
...2005
Highly Commended Overall
.....................Rotary
Club of Sorrento Annual Art Show....2006
Best Any Other Medium
.............Ballan
Art Show..........
.
...2006
1st prize in the drawing section
...........Goondiwindi
Art Show.....
..
...2006
1st prize in the monochrome drawing section
...Fraser Coast Show...........
..2006
1st prize in the drawing section
.........Maryborough
Heritage City Art Festival...
2006
1st prize in the drawing section
.......Gold
Coast Show............
..
2006
1st prize in monochrome drawing section
..............Fraser
Coast Show
.................2007
Grand Champion of the fine art exhibit
..................Fraser
Coast Show
...............
2007
2nd prize in the hand carved section
...............Fraser
Coast Show
...............
2007
1st prize in the hand carved section
................Royal
Queensland Show
.............2007
1st prize in the sculpture section
..................Gold
Coast Show
..................2007
1st prize in the drawing section
......................Ernest
Henry Memorial Art Show.........2007
H.C. in the sculpture section
.....................Springfest
Art & Craft Festival
..........2007
1st prize in the drawing section
....................Springfest
Art & Craft Festival
.........2007
The Neumann Family Award (Best in Show)................Springfest Art
& Craft Festival...........2007
1st prize in the monochrome drawing section...............Fraser Coast
Show......................2008
1st prize in the drawing section.........................Maryborough
Heritage City Art Festival....2008
1st prize in the drawing section.........................Royal Queensland
Show........................2008
-1st prize in the drawing section..........................Gold Coast
Show................................2008
-Overall Best Exhibit...........................................Gold
Coast Show.................................2008
-3rd prize in the drawing section.....................Ernest Henry Memorial
Art Show..................2008
1st prize in the Graphite/Charcoal section...........Mt.Perry Fine Arts
Exhibition...........2008
Inaugural Glenn Madden Memorial Trophy for most outstanding work in
show.............................
............................................... Yakkerboo Art Festival.................................................2009
1st prize in the monochrome drawing section............Fraser Coast
Show.............................2009
1st prize in the drawing-monochrome section...........Sarina Art Extravaganza.......................2009
1st
prize in the drawing section
.........
...Maryborough
Art Show
............
.2009
Members award
......................
Maryborough
Art Show
............
.2009
2nd in drawing section
.............
Gold
Coast Show
...............
..2009
2nd in drawing section
.............
Bowen
art Show
...............
2009
Highly commended in drawing section
.......
..
Gwydir
Art Show
................
.2009
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Making
decisions and setting parameters before starting a work is very important
to me. Inspiration is one thing but you have to set up the picture before
you even start on it by deciding on things. This might sound a bit simple,
but some of the most important things in life are.
In this
case I wanted to draw something in monochrome which would be the best
thing I could possibly do, plus some. This means for one thing, the
time it takes from start to finish must be unlimited. You can't
plan on doing the best thing you've ever done in your life, but give
yourself a deadline of only a week or a month.
Consequently
each of these drawings have taken hundreds and hundreds of hours over
many months to complete. You have to decide on a scale of detail. I
decided to draw absolutely everything, it nearly drives me mad sometimes,
but I've noticed the most frustrating bits of a drawing (the bits that
make you angry, and sick in the stomach until you get it right, sometimes
weekslater) are the ones that make it a masterpiece inste ad
of just a good drawing. For example there's no point in taking six months
to draw the engine, but three days to draw the front wheel just because
you're sick of doing it and want the whole drawing to be finished. I
can draw a motorbike in two minutes that will look ok, but it won't
look like the drawings in these prints.
Different
decisions were made in the start and stuck to.
It's
the same with perspective and proportions. I've only ever drawn freehand,
all my life, because I believe that fine art, by definition, must be
freehand (no tracing, gridding, measuring, or projecting whatsoever).
You have to have beliefs before you can make decisions and you have
to make decisions to do something the best you can.
Then
there's quality, which far from being an intangible is really just one
more parameter you have to set. I decided from the start to really push
my own boundaries, the whole time, and not set a ceilingon how well
a certain subject had to be drawn to be good enough. When I decided
to live in that zone, I realized it is the mental side to the sea of
pain.
Sometimes
I rub things out twenty times or more, or spend two days detailing a
small part of the picture, only to rub the whole section out because
things are slightly wrong, even when I know I might be the only one
that ever knows or notices.
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The recent 2-day workshop in Kenilworth held over the first weekend
of the "Kenilworth Celebrates 2009" art festival, "The
Secrets of Freehand Drawing" was fully booked and a great success
with some beautiful drawing being done by all and vast progress being
made by a couple of the students in particular. Everybody including
myself enjoyed the experience very much.
I will be doing a 4-day graphite workshop during the week of the festival
in 2010, if you are interested or would like to book a place, please
ring Rod Bloomer (Festival co-ordinator) on (07)54 723088 or kac@kenilwortharts.org.au
or Brett A. Jones on (07)41 287682 or art@seaofpain.com
for further details.
Drawing
classes by Brett A. Jones available at the Sea of Pain Fine Art Production
Studio in Hervey Bay, QLD. Classes are held every Saturday and Sunday.
Morning sessions: 9:00am - 12:00pm, afternoon sessions: 1:00pm - 4:00pm,
cost is $25 per 3hr session.
if you wish to enquire, please ring (07) 41 287 682 or email art@seaofpain.com
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Exhibition
grade framing is available to customers within Australia. All framing
is done to exacting standards by Alan from Out of the Square Picture
Framing, Main St. Pialba, QLD.

All Sea of Pain Fine Art Productions prints and originals are framed
using top quality timber moulding, reflective glass (non-reflective
glass obscures fine detail), top quality acid-free matte board surround,
acid-free core board backing, metal Drings, and sash cord.
Your framed print will be securely packed in polystyrene and triple-ply
cardboard and will be posted or couriered (depending on size of order
and location) to your front door.
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Brett A. Jones multi-award winning original freehand work.
Please e-mail brett@seaofpain.com
for payment and delivery enquiries
 
Vee-Three, original freehand graphite drawing by
Brett A. Jones
Unframed- 7x 5 (175mm x 130mm)
Framed- 11x 9 (280mm x 230mm)
(Framed)
comes with hand written letter of authenticity
$
200 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Pewter Shot Cup in the Sun, original freehand graphite
drawing by Brett A. Jones
Unframed- 15x 7.5 (375mm x 185mm)
Framed- 19x 11 (425mm x 282mm)
(Framed)
comes with hand written letter of authenticity
$
500 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Canesmoke Sunset, original oil painting by Brett
A. Jones
Unframed- 14x 10 (350mm x 250mm)
Framed- 17.5x 13.5 (440mm x 340mm)
(Framed) comes with hand written letter of authenticity
$
1000 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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The Start of Bernies Worst Nightmare, original
freehand coloured pencil drawing,
by Brett A. Jones
Unframed- 15x 7.5 (380mm x 185mm)
Framed- 19x 11.5 (485mm x 292mm)
(Framed)
comes with hand written letter of authenticity
$
750 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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E-type Jag, original freehand graphite drawing by
Brett A. Jones,
Unframed- 15x 10 (380mm x 250mm)
Framed- 23x 15.5 (520mm x 390mm)
(Framed) comes with hand written letter of authenticity
$
2800 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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DKW Racebike, original freehand graphite drawing
by Brett A. Jones
Unframed- 12.5x 12.5 (315mm x 315mm)
Framed- 18x 18 (455mm x 455mm)
(Framed) comes with hand written letter of authenticity
$
4500 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Sleeping Nude No.1, original freehand graphite sketch
by Brett A. Jones
Unframed- 7x 5 (570mm x 300mm)
Framed- 11x 9 (686mm x 405mm)
(Framed) comes with hand written letter of authenticity
$
400 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Happiness is Italian Pushrods, original freehand
graphite drawing by Brett A. Jones
Unframed- 19.5x 13.5 (492mm x 340mm)
Framed- 27x 21 (685mm x 530mm)
(Framed)
comes with hand written letter of authenticity
$
12200 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Chief of the Open Road, original freehand graphite
drawing by Brett A. Jones
Unframed- 19x 14 (490mm x 350mm)
Framed- 26x 21 (660mm x 530mm)
(Framed) comes with hand written letter of authenticity
$
9000 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Sunshine on a Cloudy Day, original freehand graphite
drawing by Brett A. Jones
Unframed- 22.5x 15 (570mm x 380mm)
Framed- 31x 24.5 (780mm x 620mm)
(Framed) comes with hand written letter of authenticity
$
13500 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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Clockwork Orange, original freehand graphite drawing
by Brett A. Jones
Unframed- 23x 15 (590mm x 385mm)
Framed- 31x 23 (780mm x 590mm)
(Framed)
comes with hand written letter of authenticity
$
17200 AUD
For
enquiries or purchase and delivery details, please e-mail Brett
at,
jones@seaofpain.com
or phone on (07) 4128 7682
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BACK
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If
you love fine art and motorcycles, these prints are for you. People
regularly study them for over an hour in galleries etc and then weeks
after purchasing them, say theyre still finding things they hadnt
noticed before (detail goes down to screw head slots, wires, dirt on
spokes etc). They are not 2D illustrations, but freehand drawings of
what ridden motorcycles actually look like sitting in the sun. These
investment quality prints are A2 (597 x 420mm) and feature the multi-award
winning pencil art of Brett A. Jones (these four drawings have won awards
in over 25 art shows). They are printed on 300gsm dull silk white Parilux
paper using the very latest F.M. screening process, which means the
image is not made up of a series of dots but randomly placed shapes,
so no matter how closely you inspect the print, even through a magnifying
glass, no dots will appear. This greatly helps preserve fine detail
in dark areas of the print as there are no dots to bleed into each other.
The
ink used is U.V. proof and lightfast, and being a 4-colour offset process
creates a perfect copy of the tones, depths and details of the originals.
The paper
is A1+ quality rated, with international standards for permanence and
an archival life of 300+ years. It is regarded as one of the very finest
coated papers available, perfectly suited for limited edition fine art
prints.
Each numbered
print comes with a signed certificate of authenticity, it's own 240gsm
varnished storage envelope, and are securely packaged in specially made
triple ply cardboard packing, which can be safely posted anywhere
in the world.
Edition
Limited Edition - 800
Artists Proof - 50 (E-mail for price and delivery details)
Dimensions - A2 (594mm x 420mm)
Price -
Unframed $79.95
each
(inc postage)
Framed $229.95
each
(inc postage)

Special
Offer for limited time, set of four limited edition prints with certificates
and matching numbers for $200 including postage. For payment details
or enquiries, please e-mail on art@seaofpain.com, or ring (07) 41 287
682
"Happiness
is Italian Pushrods"

click thumbnails
for more detail
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"Happiness
is Italian Pushrods", numbered and signed limited edition
print (unframed)..............$64.95 AUD
Postage and packaging (within Australia)..............$ 15.00
AUD
Total..............$79.95. AUD
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"Happiness
is Italian Pushrods", numbered and signed limited edition
print (framed)..................$199.95 AUD
Freight and packaging (within Australia)..................$ 30.00
AUD
Total..................$229.95 AUD
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"Happiness
is Italian Pushrods", numbered and signed limited edition
print (unframed)...............$64.95 AUD
Postage and packaging (outside Australia)...............$ 30.00
AUD
Total...............$94.95 AUD
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*See How
to Order for more details
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"Chief
of the Open Road"


click thumbnails for more detail
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"Chief
of the Open Road",
numbered
and signed limited edition print (unframed)..............$64.95
AUD
Postage and packaging (within Australia)..............$ 15.00
AUD
Total..............$79.95. AUD
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"Chief
of the Open Road",
numbered and signed limited edition print (framed)..................$199.95
AUD
Freight and packaging (within Australia)..................$ 30.00
AUD
Total..................$229.95 AUD
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"Chief
of the Open Road",
numbered and signed limited edition print (unframed)...............$64.95
AUD
Postage and packaging (outside Australia)...............$ 30.00
AUD
Total...............$94.95 AUD
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*See How
to Order for more details
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"Sunshine
on a Cloudy Day"


click thumbnails for more detail
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"Sunshine
on a Cloudy Day", numbered and signed limited edition print
(unframed)..............$64.95 AUD
Postage and packaging (within Australia)..............$ 15.00
AUD
Total..............$79.95. AUD
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"Sunshine
on a Cloudy Day", numbered and signed limited edition print
(framed)..................$199.95 AUD
Freight and packaging (within Australia)..................$ 30.00
AUD
Total..................$229.95 AUD
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"Sunshine
on a Cloudy Day", numbered and signed limited edition print
(unframed)...............$64.95 AUD
Postage and packaging (outside Australia)...............$ 30.00
AUD
Total...............$94.95 AUD
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*See How
to Order for more details
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BACK
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"Clockwork
Orange"


click thumbnails for more detail
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"Clockwork
Orange", numbered and signed limited edition print (unframed)..............$64.95
AUD
Postage and packaging (within Australia)..............$ 15.00
AUD
Total..............$79.95. AUD
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"Clockwork
Orange", numbered and signed limited edition print (framed)..................$199.95
AUD
Freight and packaging (within Australia)..................$ 30.00
AUD
Total..................$229.95 AUD
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"Clockwork
Orange", numbered and signed limited edition print (unframed)...............$64.95
AUD
Postage and packaging (outside Australia)...............$ 30.00
AUD
Total...............$94.95 AUD
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*See How
to Order for more details

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BACK
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These
open edition prints of Brett A. Jones artwork have been professionally
printed on high quality paper and come hand signed by the artist. They
can be purchased professionally framed, or unframed. Prints are securely
packaged in specially made triple ply cardboard packing.
Unframed prints can be sent anywhere in the world.
Framed prints can be sent anywhere in Australia
Unframed open edition prints come matted and backed with acid-free materials
and are wrapped in heat-shrink plastic for protection. They are ready
for framing. Unframed prints come securely packaged in cardboard and
are posted to your door.
The purchase price includes postage and packing.



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Andrew
on his Sunbeam, hand signed open edition print-14x
11 (365mm x 280mm)
(Unframed) comes matted and backed ready for framing or display......$
50 AUD
Postage and packaging (within Australia)
...$
12 AUD
TOTAL
...$ 62 AUD
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Andrew
on his Sunbeam, hand signed open edition print-18x
15(453mm x 380mm)
(Framed)
...$100
AUD
Freight and packaging (within Australia)
.
$ 20 AUD
TOTAL
$120 AUD
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Andrew
on his Sunbeam, hand signed open edition print- 14x
11(365mm x 280mm)
(Unframed) comes matted and backed ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
$
25 AUD
TOTAL
.$ 75 AUD
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*See How
to Order for more details
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E-type Jag, hand signed open edition print- 15x
10(381mm x 254mm)
(Unframed)
comes matted and backed ready for framing or display
. $
50 AUD
Postage and packaging (within Australia)
.
$ 12 AUD
TOTAL
...$ 62 AUD
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E-type
Jag, hand signed open edition print- 19x 13
(483mm x 323mm)
(Framed)
.$100
AUD
Freight and packaging (within Australia)
.
$ 20 AUD
TOTAL
.$120 AUD
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E-type Jag, hand signed open edition print- 15x
10(381mm x 254mm)
(Unframed)
comes matted and backed, ready for framing or display
$ 50
AUD
Postage and packaging (outside Australia)
...$
25 AUD
TOTAL
$ 75 AUD
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*See How
to Order for more details
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DKW Racebike, hand signed open edition print- 14x
11(365mm x 280mm)
(Unframed)
comes matted and backed, ready for framing or display
$ 50
AUD
Postage and packaging (within Australia)
$
12 AUD
TOTAL
$ 62 AUD
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DKW
Racebike, hand signed open edition print- 18x 15(453mm
x 380mm)
(Framed)
.
$ 100 AUD
Freight and packaging (within Australia)
.
$ 20 AUD
TOTAL
$ 120 AUD
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DKW
Racebike, hand signed open edition print- 14x 11(365mm
x 280mm)
(Unframed)
comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
.$
25 AUD
TOTAL
.$ 75 AUD
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*See How
to Order for more details
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Cranked
Over, hand signed open edition print- 15x 10
(381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (within Australia)
...$
12 AUD
TOTAL
$ 62 AUD
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Cranked
Over, hand signed open edition print- 19x 13
(483mm x 323mm)
(Framed)
.$100
AUD
Freight and packaging (within Australia)
$
20 AUD
TOTAL
$120 AUD
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Cranked
Over, hand signed open edition print- 15x 10
(381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display...$
50 AUD
Postage and packaging (outside Australia)
.$
25 AUD
TOTAL
..$ 75 AUD
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*See How
to Order for more details
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Feathering
the Throttle, hand signed open edition print- 15x
10 ( 381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (within Australia)
$
12 AUD
TOTAL
...$ 62 AUD
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Feathering
the Throttle, hand signed open edition print- 19x
13 (483mm x 323mm)
(Framed)
$100
AUD
Freight and packaging (within Australia)
.$
20 AUD
TOTAL
.$120 AUD
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Feathering the Throttle, hand signed open edition
print- 15x 10 (381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
.$
25 AUD
TOTAL
$ 75 AUD
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*See How
to Order for more details
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Café Racer, hand signed open edition print-
14x 11(365mm x 280mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
$
25 AUD
TOTAL
$ 75 AUD
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Café
Racer, hand signed open edition print- 18x 15(453mm
x 380mm)
(Framed)
..$100
AUD
Freight and packaging (within Australia)
$
20 AUD
TOTAL
$120 AUD
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Café
Racer, hand signed open edition print- 14x 11
(365mm x 280mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
...$
25 AUD
TOTAL
.$ 75 AUD
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*See How
to Order for more details
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Shattering
the Still, hand signed open edition print-14x 11(365mm
x 280mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
$
12 AUD
TOTAL
.$ 62 AUD
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Shattering
the Still, hand signed open edition print- 18x 15(453mm
x 380mm)
(Framed)
.
$100 AUD
Freight and packaging (within Australia)
...$
20 AUD
TOTAL
$120 AUD
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Shattering
the Still, hand signed open edition print- 14x 11(365mm
x 280mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
...$
25 AUD
TOTAL
$ 75 AUD
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*See How
to Order for more details
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Canesmoke Sunset, hand signed open edition print-
15x 10 (381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
.$
12 AUD
TOTAL
..$ 62 AUD
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Canesmoke
Sunset, hand signed open edition print- 19x 13
(483mm x 323mm)
(Framed)
..
$100 AUD
Freight and packaging (within Australia)
$
20 AUD
TOTAL
.$120 AUD
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Canesmoke
Sunset, hand signed open edition print- 15x 10(381mm
x 254mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
$ 25 AUD
TOTAL
$ 75 AUD
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*See How
to Order for more details
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Light
in the Forest, hand signed open edition print- 15x
10(381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
.$
12 AUD
TOTAL
...$ 62 AUD
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Light
in the Forest, hand signed open edition print- 19x
13(483mm x 323mm)
(Framed)
$
100 AUD
Freight and packaging (within Australia)
..$
20 AUD
TOTAL
.$ 120 AUD
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Light
in the Forest, hand signed open edition print- 15x
10(381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
$
25 AUD
TOTAL
..$ 75 AUD
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*See How
to Order for more details
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Psychedelic Sunrise, hand signed open edition print-
14x 11 (365mm x 280mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
..$
12 AUD
TOTAL
$ 62 AUD
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Psychedelic
Sunrise, hand signed open edition print- 18x 15
(453mm x 380mm)
(Framed)
.$100
AUD
Freight and packaging (within Australia)
..$
20 AUD
TOTAL
$120 AUD
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Psychedelic
Sunrise, hand signed open edition print- 14x 11(365mm
x 280mm)
(Unframed) comes matted and backed, ready for framing or display
$ 50 AUD
Postage and packaging (within Australia)
.$
25 AUD
TOTAL
...$ 75 AUD
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*See How
to Order for more details
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Psychedelic Sunset, hand signed open edition print-
14x 11 (365mm x 280mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (within Australia)
.$
12 AUD
TOTAL
.$ 62 AUD
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Psychedelic
Sunset, hand signed open edition print- 14x 11
(453mm x 380mm)
(Framed)
$
100 AUD
Freight and packaging
.$
20 AUD
TOTAL
...$ 120 AUD
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Psychedelic
Sunset, hand signed open edition print- 14x 11
(365mm x 280mm)
(Unframed) comes matted and backed, ready for framing or display
$
50 AUD
Postage and packaging (outside Australia)
$
25 AUD
TOTAL
..$ 75 AUD
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*See How
to Order for more details
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After the Storm, hand signed open edition print- 15x
10 (381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
..$
12 AUD
TOTAL
...$ 62 AUD
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After
the Storm, hand signed open edition print- 19x 13
(483mm x 323mm)
(Framed)
$100
AUD
Freight and packaging (outside Australia)
$
20 AUD
TOTAL
..$120 AUD
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|
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After
the Storm, hand signed open edition print- 15x 10
(381mm x 254mm)
(Unframed) comes matted and backed, ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
..$
25 AUD
TOTAL
$ 75 AUD
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*See How
to Order for more details
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Cosmic Guitar-both sides-colour, hand signed open
edition print - 15x 10(381mm x 254mm)
(Unframed) comes matted and backed ready for framing or display
.$
50 AUD
Postage and packaging (within Australia)
$
12 AUD
TOTAL
..$ 62 AUD
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Cosmic
Guitar-both sides-colour, hand signed open edition print
- 19x 13(483mm x 323mm)
(Framed)
.$100
AUD
Freight and packaging (within Australia)
$ 20 AUD
TOTAL
$120 AUD
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Cosmic
Guitar-both sides-colour, hand signed open edition print
- 15x 10(381mm x 254mm)
(Unframed) comes matted and backed ready for framing or display
.$
50 AUD
Postage and packaging (outside Australia)
...$
25 AUD
TOTAL
..$ 75 AUD
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*See How
to Order for more details
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This
is a selection of Brett A. Jones earlier work (dating back to
1974)
Click on thumbnails to open
Drawing
.jpg)
.jpg)

.jpg) 

Digital



Mural



Painting

.jpg)
.jpg)
.jpg)
.jpg)
Sketching
 
Woodcarving

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Bike Art exhibition- Kenilworth- Sept05
Story Bridge
Concourse display- Brisbane- Aug06
1st Solo
exhibition- Old Warehouse Gallery- Feb07
Foyer display-Hervey
Bay Regional Gallery-Mar07
Feature
artist at the Gwydir art show- Oct07
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To read magazine articles, click on the links below.
Artists
Palette- July 2007- issue No.50
- Not Drowning
Artists
Palette- July 2007- issue No.50
- Clockwork Orange
Australian
Motor Cycle News- July 2007- Vol.57, No.2
- Lead in his Pencil
Artists
Palette- Oct 2007- issue No.54
- Basic Drawing Techniques
Two Wheels - March
2008
- "Sea of Pain"
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I include my bike in this website, as it has soaked up a massive amount
of my artistic compulsions over the years and any overview of my art
would be incomplete without it.
It's the only big bore road bike I've ever had. I bought it in Cairns
in the late eighties for a good price and have had it crawl in under
my skin and stay there ever since. I've crashed and repaired it a few
times, painted it several times, made the
seat out of an old kangaroo skin mat I had, hand made a lot of its parts
from nothing, or from bits of other bikes, completely rebuilt the engine
(including changing the external shape of it by hand), carved things
in it, chopped things off it, lowered it, souped it up, and generally
made it into a physical manifestation of my artistic insanity.
Apart from a bit of help with the wiring and shimming the internals
(thanks Mark) I did it all by myself, by hand, with little or no money,
and for the last ten years anyway, in a lot of pain. Winning a few trophies
at bike shows was one of the motivations for entering the art show scene
with my drawings.
Click
on thumbnail to enlarge:

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This is the first guitar I ever bought (when I was 17) and is
the one I learned to play on. The original sunburst finish was in perfect
condition then and it was a beautiful instrument to play, but Id
seen worn out old stratocasters and telecasters that had been played
for endless thousands of hours over many years and must have soaked
up so much energy that they took on their own unique personality (Eric
Claptons Blackie is a perfect example). I started thinking
about really going to town on my guitar and take well used and well
loved to an all-time extreme, and load so much of my energy into it
over a long period (not just playing and carving it, but setting it
up technically) that it would represent a credible fusion between music
and art, and exist as a magnificent object in the universe in its
own right.
I bought a $10 set of carving knives in Cairns when I was 20 and then
spent thousands and thousands of hours over the next 20 years carving
it, through many different stages of my life, in good times and dark
times. It was my first substantial foray into subconscious art (dont
design it first, just start and let something other than your waking
conscious guide your knife). Im very happy with how it turned
out.
For a hand
signed print of Cosmic Guitar, go to the open edition print
section.


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When
I punched a rib through my spine and broke my left wrist in 1996 I went
from many years of working 50-60 hours a week to my new life of excruciating
pain.
Some friends offered a newly painted room in their house and all the
paint etc I needed to paint a mural. I told them I would do it for nothing
if I had complete control over the time it took and the subject matter.
They must have learnt to regret it as the resulting mural took over
two and a half years and was one of the most pain soaked, nightmarish,
and mentally demanding tasks I hadever taken on. It was also exactly
what I needed at that time and they knew it. I got them to buy me 10
litres of white house paint, 5 litres of black, and half a coffee cup
each of pure tint in red, blue, yellow, green, and ochre, and started
the thing in a very stressed place mentally and physically with no pre-conceived
idea at all of what or how I was going to paint (Id never painted
a mural before, or painted with house paint and pure tint).
I
started with the sun and the mountains and lakes and then worked up
into the sky. The rest just unfolded from there without planning ahead
at all (same way I carved the cosmic guitar). It was very hard to use
a paintbrush with a broken left wrist, so I ended up using my right
hand, throwing it, flicking it off a toothbrush, pushing it around with
my hands and fingers, and generally using any means I could to get paint
on the walls. I used to work on it half the night and wake up on the
floor in front of it next morning and start painting again.
The
constant hurting when breathing or moving in any way nearly defeated
me over and over again until my mind warped and I went to a place where
I just didnt care, which proved to be good training for the motorcycle
drawings a few years later (see limited edition prints).
I
never forget the massive learning trip painting this work was, it was
my first swim across the sea of pain. (Some of the open edition prints
are details of this work)
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"Bretts drawings depict the careful and painstaking representation
of his subject to the point of absolute precision. Art viewers realize
only when they closely examine his pictures that they are not photos,
but unique drawings in pencil by this extremely talented artist".
Robin R. Hansen (art show convenor)
"Bretts artistry is exemplified by his attention to detail. All
art lovers, but especially bike aficionados will embrace and appreciate
the accuracy and effort put into the works presented."
Birgit
Kehr (gallery owner)
"The
skills of the illustration (draftsmanship), are frequently dismissed
in contemporary art, yet still praised in the works from earlier periods.
I can think of Ingres, David, Durer, Whistler, Wyeth
..to name
a few. We felt this work displayed all the attributes of the skilful
draftsman; Accuracy, tone, texture, and a high level of virtuosity.
(Judges comments from art show)
"Brett A. Jones appears to have two great passions in life. His
first, sophisticated motorcycles, the second, his love of depicting
them in graphite pencil. In the first, he is an expert, in the second
a perfectionist.
Brett has mastered his subject and chosen medium, which is clearly evident
in the finished result. His completed works could be described as portraits
of beautiful, finely tuned machines dramatically posed to show their
form and promise of power to all who understand. But Bretts work goes
well beyond an accurate portrayal of his subject; these are genuine
works of art in their own right. Like a good portrait, each subject
has been given a unique personality making the series a perfect collection.
His technique is painstaking. Brett endeavours to push the monochromatic
medium of graphite to its limit, generally working with a single grade
of pencil (2B) on an ultra smooth, hot pressed paper. Brett employs
many of the classic principals known as 'Chiaroscuro Modelling', a technique
developed during the Italian renaissance in which the artist gives a
subject more realistic form and substance by the controlled use of light
and shade rather than line. The original illustrations are created on
hand made watercolour paper credited with the highest archival rating
available; this new series of prints will no doubt reflect his commitment
to reproduction quality and standards of permanence.
Phillip
Taylor (professional pencil artist, trained at the Slade School)
Please feel free to leave a comment at art@seaofpain.com
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To order a print/s using paypal (which includes Visa and Mastercard)
please press the appropriate paypal button, you will be taken to the
paypal Shopping Cart which contains a summary of your purchase/s, your
postage and packaging will automatically be added to the price and your
purchase will
be delivered to your door.
Please feel free to contact the artist personally, phone (07) 41 287
682 or email art@seaofpain.com
and he will be more than happy to speak to you.
Foreign Currencies
Prices are in Australian Dollars. For conversion to other currencies,
go to www.rba.gov.au/Statistics/exchange_rates.html
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Pen
and ink and watercolour originals and prints by Sherrie Lee
Fox.
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Originals
and graphic art by Monica Bayer, commissions welcome.
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The largest fine art resource site in the world.
|
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Professional
workshops organised regularly, many fine and unusual art books
to choose from.
|
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Professional
Artist, Realism, Impressionism, Contemporary portraiture &
print reproductions
|
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Incredible
stainless steel & glass sculpture
|
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Some
of the finest custom furniture available in the world
|
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Owner
and resident artist of Bay Art gallery. Originals and prints
for sale.
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www.stewartphotography.com.au
|
Fine
art photo prints available for sale, photography lessons.
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Professional motorcycle photographer concentrating on bike art,
prints, digital arts, sculpture and studio shots.
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http://www.higginsongallery.com.au/
|
Incredible pastel & graphite originals for sale by multi-award
winning artist Bill Higginson
|
www.maryboroughart.com
www.whiteknucklecards.com
|
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